Park Gazebo - Fix It Friday!

 

Park Gazebo, 12 x 12, oil on panel, L. Daniel © 2023

I do love a Friday Fun Day... A different perspective and freedom to play... 

Today I am revisiting FIX IT FRIDAY - a practice from the cooped up Covid days of 2020! During that time, I posted a new "fixer upper" for 25 straight weeks in a row! It got me through the dog days of staying home and social distancing. From there, I moved to FIGURES ON FRIDAY (like the one I posted HERE last week). Both practices offer a little break and are good for my soul. ;)

BEFORE

AFTER

Problem - Lighting is overall muted and flat.

Fix - Increased the contrast by "pushing" the darks and lights on the structure and foreground trees.

Fix - Brightened the sky with a more intense blue and contrasty clouds.

Fix - Changed the gazebo roof to a cooler, crisper color (which makes its shade below it feel like a cooler place to be too.) 

Problem - Figure on left was not working for me. Too large? Proportions off?

Fix - When in doubt - DELETE! What a relief!

Fix - Narrowed the path which got too wide trying to accommodate my odd figure. 

OBSERVATIONS

Sometimes I can see that I have fallen short with my value range. (It's always so much easier to see after the fact. We get retina fatigue and just stop too soon.) That was happening here. It just needed that final pop of values to set the light and overall tone of the painting. 

Now I can feel the ocean breeze and the sunshiny reflection off the water. Ahhh!

2023 SPRING WORKSHOPS (click HERE and join me):
April 14-15 - The Contemporary Austin Art School in Austin, TX (Full with wait list)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA

And the Walking Girl Walks - Figures on Friday!

And the Walking Girl Walks, 8 x 6, oil on panel, L. Daniel © 2022

NFS

Meet my sister. Two years my elder, we grew up together through thick and thin! She is fiercely independent, a brilliant musician, the leader of the pack, and a lover of the morning walk (the earlier the better.) Maybe you can catch a glimpse of her personality in this painting... not much gets in her way!!! 

Oh, and always the wild one... she got grounded for life by our dad in high school (a week-long penalty never quite got her attention). So, technically, she is still grounded! ;)

2023 SPRING WORKSHOPS (click HERE and join me):
April 14-15 - The Contemporary Austin Art School in Austin, TX (Full with wait list)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA

Sand Castles - Figures on Friday!

 

Sand Castles, 8 x 8, Oil on panel, L. Daniel © 2022

Gifted! 

I have so much respect for portrait artists. Capturing someone's unique personality and one of a kind facial expressions is HARD! This "quick" little study of my niece became a multiple day challenge for me. I could not get her face right and had to keep wiping out her entire head to begin it again. It took WAY more time than I expected, but I am finally happy with it. Whew!

Oil Painter Friends, here is a take away tip:

If you run into a problem area like this one while painting... Resist the urge to keep adding more and more paint on top of the problem. Stop. Admit defeat. Deep breath. THEN... Scrub out the small section that you are "fixing", wiping it completely down to the canvas. (Completely.) I use a paper towel carefully wrapped around my finger to tackle the specific area. When area is clean, rebuild the passage from the ground up. Start with the dark neutral underdrawing and re-sketch, then build the color from dark to light. Highlights last. You might have to do it more than once, like me, but you'll be surprised how well it works!

Walk On The Pier - Figures on Friday!

Walk On The Pier, 8 x 6, oil on panel, L. Daniel © 2022

NFS

Here is another "family" memory for Figures on Friday this week. This is my dear father-in-law with one of his great grandsons (my grand nephew). One fun thing about painting people you know is that it feels like you are actually having a little visit with them! Love that!

I'm also including my block-in for this piece to contrast with last week's block-in. You can see that I started with my usual approach, the dark underpainting. But this time, instead of working dark to light, I painted the light areas around my dark sketch. This allowed me to lock in the shapes of the figures which is really helpful. After that, I toggled back and forth between the figures and everything else. I also adjusted the drawing a bit, as the figures were leaning to the left at first. Can't have that! ;)

Painted around Block-in... 

Final painting.

Daddy Daughter Dance - Figures on Friday with process shots!

Daddy Daughter Dance, 8 x 6, oil on panel, L. Daniel © 2022

NFS

This sweet tiny dancer is my grand niece. I caught her dancing with daddy at a family wedding where she was the flower girl. Of course, she stole everyone's heart in that little tulle dress! She is a teenager now and still a beauty. This blast from the past was VERY fun to paint. I've been thinking about it for years!  

I started this painting a little differently. Here are some process shots...

1) To start, I covered the entire canvas with a thin layer of ultramarine and burnt sienna mix (sorry, no picture of that!) THEN, I loosely wiped out the light areas of the image. I chose this approach because the scene was very dark, and "wiping out" made it easier to establish a high contrast, back lit setting. 

2) Once large areas of light were wiped out, I painted back into the panel using the same dark neutral mix. This time, I was careful to check my shapes for proper proportions and to adjust the composition. 

3) I finished the piece in my usual fashion: working directly into the underpainting... building it from dark to light. And as always, I saved the tantalizing highlights for the very end. :)

Precious Day

Precious Day, 8 x 10, oil on panel, L. Daniel © 2021

NFS

There are some days we wish could last forever. This past Saturday would be one of those. Two dear artist friends invited our painting group to paint at their lakeside home, and to help them close up their art studio before they move away. It was a wonderful time... a celebration of who they are and their creativity in that magical place, a reunion of new and old friends, a passing of the torch as supplies were entrusted into new hands, and a last painting hurrah! 

What an honor to be included in this bittersweet farewell! Precious day, and precious heart memories. Thank you, Charles and Carole - Love you both!

Happy, happy!

Casita Studio in the woods. 

(Many thanks to Laura Barrow for photos!)

One of many gorgeous views of Lake Travis and "Sometimes Island".

(Sometimes it's there, sometimes it's not. Depends on the rain.)

_________________________________

Join me at my last workshop of the year! 

Register with Mary Anderson 912-634-8414, Or click below for info:

Autumn En Plein Air, Nov 4-6, 2021, 9am - 4pm, $495

St. Simons Island, GA, Anderson Fine Art Gallery

Pure Joy and Figures on Friday #1

Pure Joy, 6x8, oil on panel, L.Daniel © 2021

NFS

I am starting a new series called "Figures On Friday" and I would love for you to follow along! 

The idea is to force myself to practice adding figures into the landscape. And practice is the key word - always a requirement if I want to see growth. Why am I making a series out of it?? Well, it's my way of holding myself accountable. This weekly goal (one post a week) will help keep me on track with my larger desire for improvement in this area. Wish me luck, friends!

This first one depicts my dear nephew when he was a child, and his trademark exuberance! 

Join me at my last workshop of the year! Register with Mary Anderson 912-634-8414, Or click below for info:

Autumn En Plein Air, Nov 4-6, 2021, 9am - 4pm, $495

St. Simons Island, GA, Anderson Fine Art Gallery

Pier Reflections - and a good lesson

Pier Reflections, 10 x 8, oil on panel, L. Daniel © 2019

NFS

This little piece is one of my favorites of the year, and maybe it's because of how it came about. I was out painting one morning and had really made a mess of things (BTW - you will never see that one!) At lunchtime, it was obvious that rain was coming, but I was not ready to quit. I hate going home with nothing. Thankfully, my painting buddy was in agreement and we decided to go for it and race the storm. 

Well. Something happens when we have to work fast... have you noticed that? Our creative brains take over and our worry (fear) is released. After all, if it doesn't turn out, it's because of the rain, right? But isn't that just when everything clicks? When we stop overthinking and obsessing? Such a good lesson, and one I've had to learn over and over again!

The end of the story? I finished the painting and got it covered just as the clouds burst. I was soaked to the skin by the time I got everything in the car, but I was happy. :)

Turkey Bend - Texas Lifestyle Magazine Article

Turkey Bend, 9 x 12, oil on panel, L. Daniel © 2017

Private Collection

I am very pleased to be featured in the spring edition of Texas Lifestyle Magazine. The article talks about my inspiration and process, and how the Texas landscape impacts both. See story in magazine by clicking HERE. Scroll to page 66.

Many thanks to Editor, Julie Tereshchuk, and Texas Lifestyle Magazine!

Big Commission - In Situ!

A Capitol Evening (detail), 60 x 72, oil on canvas, L. Daniel © 2017

Commissioned for the Dell Seton Medical Center, University of Texas

SOLD

Those who followed my posts at the start of the year will remember that I painted my largest painting ever, for the new teaching hospital at the University of Texas. It was a terrifying, but wonderful challenge for me. Well, I have an update. This past weekend, the Medical Center threw a grand opening party for the public to view the new facility. Below are pictures of my painting "in situ". That grin on my face lasted all day! (Okay, I am still glowing a bit.) I am honored and grateful beyond words to have my work showcased in this great institution of healing. 

Click HERE for original post on this piece. (The other two paintings I did for them were not viewable at the reception as some areas were closed off... no pics of those.)

Workshop Wrap-up

Pear Demo, 6 x 6, oil on panel, L. Daniel © 2016

NFS

This weekend I taught a still life workshop that focused on the relationship between color and form. My students were hard working - they listened, and experimented and trusted me. :) It was so much fun in every way! It's never enough time. 

This little demo kicked off our time together... a lesson on process AND on building a painting using the "7 Elements of Art" - line, space, value, color, shape, texture and form.

  

Line and Space

Value

Color and Shape

Texture and Form

Here are some classroom out-takes... see what I mean?? Very focused!!!! 

Value Studies - Process Shots from Workshop Demo

Jekyll Beach Value Study, 6 x 8, oil on panel, L. Daniel © 2016

Workshop Demo - Anderson Fine Art Gallery, St. Simons Island, GA

Last weekend I taught a workshop on St. Simons Island, GA. The focus of the workshop was color and value in the landscape, and we drilled way down to understand those concepts. On the first day, we took a break from color and painted value studies. Below is a review for my students and for anyone who would like to try it!

Mix a strand of 5 grays, plus black and pure white (7 values total). 

Make sure the grays are distinct from one another.

Get started with a sketch of simple shapes to compose the scene. 

Divide the landscape into 5 values, using John Carlson's Theory of the Planes...

Working dark to light, use first gray (darkest) in foreground uprights found in rock shadows, second gray in middle ground uprights (trees), third gray in distant uprights, fourth gray in ground plane (water) and fifth gray (lightest) in sky.

Values come together as they recede... darks get lighter and lights get darker. 

(Note: usually the lightest light will be found in the sky, but in this scene the white sand reflecting the sunlight was brightest.)

Use subtle value shifts to indicate highlights in each plane.

Save pure white for highest highlights (rock light), and pure black for calligraphy and darkest shadows in the foreground.

Mix a strand of warm values using yellow, black and white.

Mute each value in this strand with white (muted strand not shown, sorry!)

Use warm values to indicate how temperature behaves when color is added.

Color intensifies as it comes forward, and it weakens (mutes, cools) as it recedes.

Hard at work, mixing and identifying values...

Many thanks to a wonderful group of students, you all did GREAT!

Golden Memories - The Progression of a Commission

Golden Memories, 30 x 40, oil on canvas, L. Daniel © 2016

SOLD

Toward the end of last year, I was commissioned to do a very large painting as a Christmas gift. Commissions are not my favorite thing to do, but I am a hopeless romantic and my client's request was too compelling to pass up! He wanted a painting of the spot where he proposed to his wife at sunset - overlooking Lake Austin - while they were students at UT in the late 80's. After graduation, they moved away, had a family, and their own children are now in college. All these years later, he wanted to surprise her with that scene. Well... how could I say no? 

To make things more interesting, the scene itself is now completely overgrown with trees and shrubbery. The view is gone, and my client didn't have a photograph! Remember the days when we were not obsessively snapping photos on our phones, documenting every activity? Here's the great part - he remembered the colors and the angles, EVERYTHING really... including where the sun went down on the horizon!!! 

As most commissions go, there was a lot of collaboration back and forth, all by computer (since we were working long distance). Between the two of us - using his incredible memory and my research of other spots on that same hillside - we came up with "Golden Memories". Many thanks, MZ, and may the golden memories be always with you!

Here are a few outtakes from our process...

Composition Study, 8 x 10, graphite on paper

This was the final pencil sketch for the design and composition of the painting. I did 7-8 versions before we settled on this one.

Color Study, 9 x 12, oil on panel

As with the composition, the color study underwent several corrections and adjustments. (We even tried adding some bluebonnets, but decided to leave them out in the final.)

Underpainting, 30 x 40, acrylic on canvas

This acrylic underpainting allowed me to get approval for placement and shapes before diving in with oils. I don't usually include this step when painting large work on my own, but it was very helpful for staying on the same page with my client.

Golden Memories, 30 x 40, oil on canvas, L.Daniel © 2016

I had quite a lot of fun working on this, and was very glad I took it on. Receiving the "well done, brushes down" confirmation from my client brought me great joy!

The framed piece. 

H A P P Y   N E W   Y E A R !

Men At Work - Series Collage

Men At Work - the collage!

Our renovations are finished!!! Here are many of our workmen, all together, representing months of work. From planning, to scheduling, to selecting materials and executing the plan... it's been quite a project. I've had so much fun painting these guys that I feel some new directions coming on, and I'm excited to see where those lead. Many thanks to our wonderful team of craftsmen!

The Boss and his Punch List - men at work

The Boss and his Punch List, 8 x 6, oil on panel © 2015

NFS

THIS is a happy sight. In Texas, we have saying, "get 'er done". It kind of encapsulates the overwhelming sensibilities at the end of any big job like this. Everyone is just READY to be finished. I am soooo ready. I loved doing it, loved making the choices, loved all the workers who crossed the threshold, love the results, AND now I'm going to love some peace and quiet. Thank you, Boss! It's beautiful. We could not be happier.