April Morning with Process Shots

April Morning, 10 x 8, oil on panel, L. Daniel © 2022

Available - Click here for information

It has been a busy spring for me... A big museum show in Kerrville TX, a weekend workshop in Austin TX, and a couple of commissions! I got behind in my blogging, and will try to play a little catch up starting with the workshop. I had a great group of students and I always love seeing their work and progress! So rewarding! Here is the break down of my demo on the second day...

Loosely outlined shapes of major masses.

Indicated dark values in the layers to give a road map for rest of painting.

Painted shadow family in upright plane – began to establish foreground, middle ground, background. 

Painted light family in upright planes, muting and cooling as each plane recedes.

Added ground plane and sky plane. It's important to get the canvas covered completely in order to see what is working and what needs adjustment... 

Made adjustments to better define values and separate layers. Saved highlights till the very end. Always!

Creek Reflections

Creek Reflections, 12 x 16, oil on panel, L. Daniel

Available - Click for information

The marshlands of St. Simons have a particular draw for me... but when deep reflections are involved, I am unable to resist! The stillness, the soft ripples, the warm winter grasses... Mmmm Mmm... so delish! I am looking forward to getting back! 

Sand Castles - Figures on Friday!

 

Sand Castles, 8 x 8, Oil on panel, L. Daniel © 2022

Gifted! 

I have so much respect for portrait artists. Capturing someone's unique personality and one of a kind facial expressions is HARD! This "quick" little study of my niece became a multiple day challenge for me. I could not get her face right and had to keep wiping out her entire head to begin it again. It took WAY more time than I expected, but I am finally happy with it. Whew!

Oil Painter Friends, here is a take away tip:

If you run into a problem area like this one while painting... Resist the urge to keep adding more and more paint on top of the problem. Stop. Admit defeat. Deep breath. THEN... Scrub out the small section that you are "fixing", wiping it completely down to the canvas. (Completely.) I use a paper towel carefully wrapped around my finger to tackle the specific area. When area is clean, rebuild the passage from the ground up. Start with the dark neutral underdrawing and re-sketch, then build the color from dark to light. Highlights last. You might have to do it more than once, like me, but you'll be surprised how well it works!

From The Clearing

From The Clearing, 6 x 8, oil on panel, L. Daniel

SOLD

I loved seeing this little cabin through the trees, all lit up by the morning sun. I have painted it before from several different angles, but this more "distant" view was a new one... very compelling. Was it the light? the mystery? Probably a little of both! ;)

Walk On The Pier - Figures on Friday!

Walk On The Pier, 8 x 6, oil on panel, L. Daniel © 2022

NFS

Here is another "family" memory for Figures on Friday this week. This is my dear father-in-law with one of his great grandsons (my grand nephew). One fun thing about painting people you know is that it feels like you are actually having a little visit with them! Love that!

I'm also including my block-in for this piece to contrast with last week's block-in. You can see that I started with my usual approach, the dark underpainting. But this time, instead of working dark to light, I painted the light areas around my dark sketch. This allowed me to lock in the shapes of the figures which is really helpful. After that, I toggled back and forth between the figures and everything else. I also adjusted the drawing a bit, as the figures were leaning to the left at first. Can't have that! ;)

Painted around Block-in... 

Final painting.

Winter Marsh

Winter Marsh, 8 x 16, oil on panel, L. Daniel © 2022

Available

Even in the Golden Isles, some days are cold, wet, and wintery, especially in January. But if it's a painting day, well, one can not be deterred! Fingerless gloves help (if you remember them) and it's always an adventure! The colors are subdued and the soft light offers an overall tonal quality I so love. Even in the cold, the joy of being out makes it worth the effort.

The view from my easel. You can see that the tide went out while I was painting! :)

Daddy Daughter Dance - Figures on Friday with process shots!

Daddy Daughter Dance, 8 x 6, oil on panel, L. Daniel © 2022

NFS

This sweet tiny dancer is my grand niece. I caught her dancing with daddy at a family wedding where she was the flower girl. Of course, she stole everyone's heart in that little tulle dress! She is a teenager now and still a beauty. This blast from the past was VERY fun to paint. I've been thinking about it for years!  

I started this painting a little differently. Here are some process shots...

1) To start, I covered the entire canvas with a thin layer of ultramarine and burnt sienna mix (sorry, no picture of that!) THEN, I loosely wiped out the light areas of the image. I chose this approach because the scene was very dark, and "wiping out" made it easier to establish a high contrast, back lit setting. 

2) Once large areas of light were wiped out, I painted back into the panel using the same dark neutral mix. This time, I was careful to check my shapes for proper proportions and to adjust the composition. 

3) I finished the piece in my usual fashion: working directly into the underpainting... building it from dark to light. And as always, I saved the tantalizing highlights for the very end. :)

Dappled Path

Dappled Path, 9 x 12, oil on panel, L. Daniel © 2022

Available 

This is another plein air piece from the Georgia coast at the end of last year. I am always enthralled with the huge, beautiful oak trees and the climbing vines that boldly climb everywhere there! These are on the barrier island of Jekyll. 

This view from shade into distant light was a bit tricky, because those warm colors of the marsh wanted to come forward. One way to solve that problem is to mute down the distant color. Another solution is to make the foreground much stronger in contrast and value. Doing BOTH helps, too! ;)

Going Fishing - Figures on Friday

Going Fishing, 8 x 6, oil on panel, L. Daniel © 2022

Click to purchase - $150 + $18 s/h

Figures on Friday is BACK! I had so much fun with these at the end of 2021, that I have decided to keep doing them. They train my eyes and hands in new ways! AND, they make me happy! :)

This little guy was up early and ready to get going! Can't you just imagine that he was dreaming of "the big one" as he looked out on that cool, bright morning? I hope he always has that determination and excitement... that's what keep us going! 

The Road Goes on Forever - process shots (and a song!)

The Road Goes On Forever, 8 x 10, oil on panel

Available

Today's painting title comes from a song of the same name by Texas singer-songwriter, Robert Earl Keen. It's fun to be in a concert when he sings the chorus, "the road goes on forever and the party never ends!", because EVERYONE joyfully jumps in. It's contagious!! Robert Earl announced his retirement last week... but I have to say, it's for all the right reasons. He wants to go out while he still LOVES what he is doing (not because he is sick or tired or bored). Good for him!! 

This painting is a demo from my last workshop. Throughout the painting session we all kept singing that song's refrain (well, some did, and you Texans know who you are), so I had to use it for the title. An homage.

And below... process shots... the road goes on forever... 

1) Sketched outlines of big shapes for placement, size and composition.

2) Blocked in masses of value, to indicate the planes of the landscape:

Upright plane, distant upright plane (or slant), ground plane, and sky plane.

3) Massed in best average value of greens for the uprights.

Distant uprights are cooler and more muted than foreground uprights.

4) Massed in ground plane observing color changes within the overall value.

5) Added sky plane, and included a variety of temperatures at the horizon. 

Broke up masses in each plane with highlights and lowlights. 

... and the party never ends!!! 

Thank you, Robert Earl Keen!

Call of the Marsh, and Happy New Year!

Call of the Marsh, 12 x 16, oil on panel, L. Daniel © 2022

Available

I just returned from celebrating the holidays with my family on the Georgia coast. It was a delicious time with four generations, and never a dull (or quiet) moment with our grandkids having cousin time! 

Happily, we planned an extra week for ourselves and I was able to get in some painting time as well! It felt so good to dip those brushes and focus back in after a few weeks away from the easel! ;) Inspiration is everywhere at the beach, and I can never get enough! 

Wishing you all a happy and inspired new year!