Showing posts with label texas capitol. Show all posts
Showing posts with label texas capitol. Show all posts

Thursday, May 18, 2017

Big Commission - In Situ!

A Capitol Evening (detail), 60 x 72, oil on canvas, L. Daniel © 2017
Commissioned for the Dell Seton Medical Center, University of Texas
SOLD

Those who followed my posts at the start of the year will remember that I painted my largest painting ever, for the new teaching hospital at the University of Texas. It was a terrifying, but wonderful challenge for me. Well, I have an update. This past weekend, the Medical Center threw a grand opening party for the public to view the new facility. Below are pictures of my painting "in situ". That grin on my face lasted all day! (Okay, I am still glowing a bit.) I am honored and grateful beyond words to have my work showcased in this great institution of healing. 

Click HERE for original post on this piece. (The other two paintings I did for them were not viewable at the reception as some areas were closed off... no pics of those.)






Sunday, February 19, 2017

The BIG ONE (60x72)... and Top 10 Tricks for a Successful Commission Project

A Capitol Evening, 60 x 72, oil on canvas, L. Daniel © 2017
Third of three commissions for Dell Seton Medical Center
New teaching hospital at University of Texas, Austin

This is the big one, friends... and it will be placed in the entrance lobby of the new medical center!!! How cool is that?? I do wish you could see it in person to get the sense of the scale and brushwork, but here are some close ups...

A Capitol Evening (detail)

A Capitol Evening (detail)

The canvas is so big that I had to have it delivered to my house (it doesn't fit in my car!) Then, I had to move my studio into our living room to work on it. Thankfully, my easel moves up and down for painting the bottom half, but I could only do the sky by standing on my garden bench! Let's just say, there were definitely some gymnastics involved, and I learned A LOT from all of it! 

I'm still mentally digesting the lessons of scaling up my process to such a large format. Some days went smoothly, some were a bit challenging, and still others were downright frustrating. (My husband would insert here that he was compelled to stage an intervention about halfway through... some discussions on the "ledge" and a whisking away to the movies were greatly needed!) Painting this large required some serious adjusting on my part, and more importantly, keeping my eyes on the goal. Happily, it all came together in the end! 


A lot of you have asked about the ins and outs of commission work and I promised some "take aways" about that. For some reason, there is an awkwardness involved in doing creative work for other people. It is really important to treat a commission like a business deal, and that's where it gets hard. To that end, here are some of my tricks for managing the process:

Top 10 Tricks for a Successful Commission Project

1. Get a signed contract. (Include painting design, fees, and project timetable.) 

2. Build in an extra fee for the "hassle factor". (20% add-on is my standard.)
3. Allow extra time in schedule for completing the work. (Life happens.)
4. Get a non-refundable down payment. (50% to get started is reasonable.)
5. Agree ahead of time on approval process. (Communication is everything.)
6. Document each stage. (And secure approval at designated checkpoints.)
7. Rearrange life. (Cancel lunches and take over the living room if necessary!)
8. Do the work and do not procrastinate. (Last minute equals disaster.)
9. No surprises. (Mid-project is not the time to "try a new idea".)
10. Meet deadlines - all of them. (And finish on time.)

I could write an essay on each one of these points, including stories of when I did it right and when I did it WAY wrong. But it all boils down to this... if I follow these guidelines, the whole process is better for my client and it is definitely better for me! It helps ME stay on schedule, and it helps us all stay on the same page. 



Tuesday, April 16, 2013

Bright Lights - No Place Like Home

Bright Lights - Congress Avenue, 18 x 18, oil on panel, L. Daniel © 2013
SOLD

These are the bright lights of downtown Austin on a drippy wet evening. Our Texas State Capitol building is stunning in any weather (you know it's taller than the U.S. Capitol in Washington DC, don't you?) This piece is one of several that I painted for the upcoming "No Place Like Home" exhibit at the Davis Gallery. The opening reception is this Saturday... please come by if you are in town!


No Place Like Home
Davis Gallery Artists Group Show
Davis Gallery, 837 W. 12th, Street, Austin, TX
April 20 through May 25, 2013
Opening reception: Saturday, April 20, 7 to 9 pm

Sunday, June 14, 2009

Old Main Street

Old Main Street, 7 x 5, SOLD

Boarded up windows and empty storefronts was all that was left of this little downtown shopping area I drove through. I failed to write down the name of this town that was so deserted, but I found myself easily imagining it in a more lively time. To me it's sad, I am not a big fan of "progress". :)

See more Small Works

Friday, February 13, 2009

At the end of Congress Avenue

Sunlit Granite, 12 x 12

When I first moved to Austin, my kids and I took the tour of this towering landmark. The tour guide made a point of telling us all that it's taller than our U.S. Capitol building in Washington, D.C. AND that it was built completely by Texans. He was very proud of that! Who knew there was a competition on this? But you know what they say, "everything is bigger in Texas." I painted this yesterday with my plein air group... we all met downtown to do cityscapes.