Showing posts with label 24x36. Show all posts
Showing posts with label 24x36. Show all posts

Monday, October 19, 2020

Ruby Sky - Upcoming Show and Process Shots!

Ruby Sky, 24 x 36, oil on canvas, L. Daniel © 2020
SOLD in my upcoming show at the Davis Gallery
Evidence of the Search - opening Saturday! 
(Click on the link above for bigger and better image)

Last fall, my husband and I went to Dallas for the Texas State Fair and the big UT/Oklahoma game. As we walked from our hotel to the fair on the edge of town, we came upon the vestiges of an old farmstead. The tall granaries and low slung buildings hinted at another era, right in the middle of the city. Civilization had grown up all around it... so unexpected and oddly pristine. :)

On our way home, the sky put on a spectacular show... I shot a million photos and determined I would try to paint that spot. It took me a few months to get back to it, but when I did, the inspiration was still there!!! Magical moments are like that. 

Here are some process shots to see how the piece came together...

Initial sketch for Placement
Used ultramarine & burnt sienna on yellow toned canvas.

Full Block-in 
Painted the dark values with mix of ultramarine and burnt sienna. 
Stained the sky with alizarin crimson (as under-color placeholder). 

The Sky
 Painted large areas of luscious PINK and YELLOW in the sky, as a base for the cloud pattern. (Dark foreground... established by using tight values and low contrast.)

Grey clouds painted OVER the pink and yellow elements of the sky, and blended a bit on the canvas. Reserved areas of sky color that would best guide the viewer's eye to my focal point... the old granary.

And... for my friend, JM... here is that yummy warm pink made from a little red, a little yellow, and a little white. ;)

Thursday, May 28, 2020

Azure Fields - Fix It Friday #13

Azure Fields, 24 x 36, oil on canvas, L. Daniel © 2020
SOLD - private collection

This is another Fix-It from my archives. Although the painting (and changes) are several years old, it illustrates a huge lesson about landscapes that I encounter again and again... 


BEFORE


AFTER

CHANGES:
Problem 1 -  The horizon line split the top of the painting from the bottom of the painting (I'm referring to the sharp edge and high contrast where ground plane met the upright plane. The ground plane looked like a skating rink, am I right?)
Fix 1 - Muted/darkened the color of the ground plane which eliminated the high contrast.
Fix 2 - Softened the static, hard edge with grasses and flowers that break the horizontal line.

OBSERVATIONS:
To establish depth in a painting, we have several devices in our toolbox: 1) overlapping layers (indicates front and back), 2) scale shift (elements get smaller as they recede), 3) muting color (color gets more dull and cooler as it recedes), 4) eliminating contrast (values weaken as they recede.) Eliminating that sharp line at the horizon allowed everything to settle in. Ahhh... what relief!!! :)

Thursday, March 3, 2016

A Moment's Peace - Show Tip #14

A Moment's Peace, 24 x 36, oil on canvas, L. Daniel © 2016
Sold in Solo Show, "Chasing Color, Finding Light", Davis Gallery

If you have been following my blog for awhile, you know I love the beach. We spend a lot of time on St. Simons Island, where daily walks at the seaside are just part of the plan. It's peaceful and the best way to start any morning. 

Show Tip #14 - Balance Effort and Ease
"Be in a position of energetic rest", said my pilates instructor one morning. "Energetic Rest," I repeated, "isn't that a bit of an oxymoron?" She went on to explain that for this exercise (and actually for all exercises), I needed to balance effort and ease; to be engaged but not straining. Now isn't that a great image for painting, and for just about everything we do? Too much effort (straining) has obvious harmful outcomes like tightness, fear, and overall negative energy. Too much ease (not being engaged) results in poor discipline, low yield, and lack of passion. It's up to each of us to find that balance in our own daily routines, and probably a lifelong task.

Here are links to other Show Tips:
Tip #4 - Work in Series
Tip #6 - Be Kind to YOU
Tip #8 - Stay Flexible
Tip #11 - Take Notes
Tip #12 - Know when to Quit
Tip #13 - Stay Updated

Painters - join me at this Plein Air Workshop:
April 28-30, Anderson Fine Art Gallery, St. Simons Island, GA
Contact Info: Mary Anderson, 912-634-8414

Monday, February 22, 2016

River Wanderings - Show Tip #10

River Wanderings, 24 x 36, oil on canvas, L. Daniel © 2016
Sold in Solo Show, "Chasing Color, Finding Light", Davis Gallery

Finding remote places to paint is one of my favorite things to do. This painting is a larger version of a plein air piece I did last summer on the Georgia coast. This time I included more of the scene and sky, and I loved revisiting that special place! :)

Show Tip #10 - Fight through Fears
Today I stepped up to the easel to start a new painting and was struck with fear. This happens to most of us every now and then, because the blank canvas (or getting started on any new project) can be daunting. But what to do? Here are a few tricks I use for fighting through that fear: pull out a sketchbook and start with a drawing, tone the canvas and get rid of the white-ness, use a big brush and focus on big shapes, review my process and simply take one step at a time, OR a combination of the above. Today, my answer was to tone the canvas... and dirtying up the canvas made all the difference! 

Here are links to other Show Tips:
Tip #4 - Work in Series
Tip #6 - Be Kind to YOU
Tip #8 - Stay Flexible

Painters - join me at this Plein Air Workshop:
April 28-30, Anderson Fine Art Gallery, St. Simons Island, GA
Contact Info: Mary Anderson, 912-634-8414

Wednesday, September 25, 2013

Marsh Dance and Afternoon Shadows

Marsh Dance, 24 x 36, oil on canvas, L. Daniel © 2013 - SOLD

Afternoon Shadows (Waterloo Records), 18 x18, oil on canvas, L. Daniel © 2013 - SOLD

Reflections on the Georgia marsh reveal a delicate dance between trees, marsh grass and water. The undeniable rhythm of their movement is almost audible. Similarly, dynamic shadows (at our favorite record store in Austin) "step in time" daily as the sun travels across the sky. I love to witness these give and take, forward and back, "swing your partner" performances in nature's grand Do Si Do. 

These two paintings will be in my show, "Landscapes: Interior-Exterior" at the Davis Gallery in Austin, Texas. Reception October 5, 7-9pm. Runs through November 16.