Showing posts with label 30x30. Show all posts
Showing posts with label 30x30. Show all posts

Thursday, January 19, 2023

Morning Breaks Eternal and Happy New Year!

Morning Breaks Eternal, 30 x 30, oil on canvas, L. Daniel© 2023
SOLD

This early morning scene took my breath away. The rim of mountains in the distance and glorious sky beckoned a new and glorious day. What a sweet way to get started! 

Happy New Year to all! Heartfelt, though a little belated! :)

2023 SPRING WORKSHOPS (click here and join me):
April 14-15 - The Contemporary Austin Art School in Austin, TX
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA
 

Thursday, April 16, 2020

Out Beyond the Shore - Fix it Friday #7


Out Beyond the Shore, Oil on Canvas, 30 x 30, L. Daniel © 2020
SOLD

Today's "fix it" subject is a large piece that I first painted in 2009... 11 years ago!! At the time, I liked it well enough, but as it never sold, it began the art storage shuffle. It went from one closet to another, under a bed, back to a closet, etc. (You artist friends know what I am talking about! And hey, 11 years goes fast!!) Eventually it ended up in the "to be gessoed over" stack in my garage. After all, I thought, it's a large canvas and I can use it again. Ever the frugal one, am I. 

Well, at the last minute, I decided to try and resurrect it. Here are the results. You can still "find" the original in there, but it became a new painting and... it's going in my upcoming show!

BEFORE (painted 11 years ago in 2009)

AFTER (edited in 2020)

CHANGES:
Problem 1 - Color palette was too intense.
Fix 1 - Covered up almost ALL of that intense orange.
Fix 2 - Saved intense orange for pop at sun (focal point) and foreground reflections.

Problem 2 - Painting lacked depth (especially in sky).
Fix 1 - Muted down the color at the horizon to push that into the distance.
Fix 2 - Added a cloud pattern to establish space with overlapping layers and values. 
Fix 3 - Made sun smaller and lower to make it look farther away. 

Problem 3 - Brushwork was amateurish.
Fix 1 - Replaced overlarge mark-making with passages of painterly strokes. 
Fix 2 - Replaced too-broad single strokes with accurately sized highlights.

Problem 4 - Rocks looked flat, like cutouts.
Fix 1 - Reworked masses for a more defining profile.
Fix 2 - Added highlights reflected from the sun to give volume. 

OBSERVATIONS:
Biggest takeaway??? Color loses its power when used everywhere in a painting. Reducing the overall orange-ness and bringing in lots of neutrals, made the remaining color much more effective. Those pops of orange now direct the eye right to the focal point of this piece, which is always the goal. It's all about restraint... knowing when to hold back!

And now I digress, but... isn't this true of many things? We tend toward overdoing. If we like it, well, more, more, more! I'm reminded of something a dear friend shared at a particularly over-committed time of my life, "you can choke on good food too, you know." She was right. 

Click Here to see Fix it Friday #2 

Tuesday, April 7, 2020

Breaking Through - with Process Shots!


Breaking Through, 30 x 30, Oil on canvas, L. Daniel © 2020
SOLD

One of my goals for this quarantine is to work on larger paintings for an upcoming solo show that is scheduled at the Davis Gallery this fall. That show may be pushed out due to rescheduling of all the canceled shows before mine... HOWEVER, I need goals. Especially now. (I'm sure you know what I mean. We are all in the same situation.) 

SO, I am going to proceed as if everything is still "on". This may be an obvious sign of my personal denial - but it's a coping skill, and I am going to use it. Somehow it helps me stay productive. ;)

I did remember to take some process shots on this one, so here you go... enjoy!


I started my block in on a toned canvas (Indian yellow painted on and vigorously wiped off), hoping to achieve some "glow". The sketch was done with a mix of ultramarine and burnt sienna (my favorite combination for under drawing).

Using a variety of grays, I blocked in the large shapes of my backlit clouds. My goal was to establish a sense of depth from the beginning. 

Once the shapes were arranged in a hierarchical order, I began to bring in some color to both the sky and the clouds. While the variety of grays helped me establish depth in the block in, they were too warm and fought with the warm sun popping through. 

The final piece - the adjusted color gave me the drama I was looking for. I happy to see how the cooler clouds gave a wonderful contrast to the warm sun as it "breaks through". 

__________________________________

LOOKING FOR SOMETHING TO DO?
CHECK OUT MY INSTRUCTIONAL VIDEOS...
they are downloadable and great for sequestering artists!