Marshland Flow

Marshland Flow, L. Daniel, 24 x 48 diptych (24 x 24 each)

I love the East coast marshlands! They are such fuel for the imagination as they quietly surge with the tide. High tide, low tide, mid tide... each offers a new and distinct version of itself. My stay in Georgia offered daily trips over the East Beach causeway and this gorgeous view was there for the taking every time.

Golden Eve - large version

Golden Eve, 24 x 48 diptych (24 x 24 each)

After doing the small study for this, I decided to stick with my original instincts for color and overall treatment. The yellows and oranges convey that warm, end of day glow; and I love the cool, silhouetted shapes and creeping shadows that present themselves just as the light is dimming. That light and those shapes are what I was after in this painting.

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Side note:

"Why the diptych?" someone asked me after I posted the small one. I really do enjoy working in this format and look for opportunities to use it. For me, the fragmented nature of diptychs (or triptychs) builds in a subtle sense of stopping and re-starting; and a continuation to something beyond. The idea that the viewer can wander beyond the boundaries of the canvas and "fill in" some of the blanks gives me a great sense of collaboration. Plus, I just really like squares.