Hidden Beach Path

 

Hidden Beach Path, 8 x 10, oil on panel, L. Daniel © 2023

SOLD

Another plein air day in Georgia last month found me caught up in the "tangle"...

What do I mean by that? Well... physically, the vegetation itself was CRAZY and I kept getting lost in the vines and branches and layers. But mentally, I forgot to bring my tripod, and had to make do without it. Not good! I started out at a picnic table, but that had the wrong angle. Sitting on the ground? Not at all comfortable (Have I mentioned that I really prefer to stand?) When all else failed, I discovered that a garbage can was a PERFECT support for my paint box!!! Who knew? :)

2023 SPRING WORKSHOPS (click HERE for info and registration):
April 14-15 - Contemporary Austin Art School, Austin, TX (Wait list only)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA

Streams of Light - Finish It Friday!

Streams of Light, 12 x 16, oil on panel, L. Daniel © 2023

Click to purchase - $1075 + s/h

Welcome to some Friday fun! Today, "FINISH IT" FRIDAY! 

Sometimes when I am out painting, I am unable to finish a piece on location. Things happen. A car parks in front of the view, a boat sails away, a storm comes up, nourishment is required, the calendar beckons... you get the picture. It can be anything! 

So... Last week I was plein air painting on the Georgia coast, and this time it was the incoming tide that shut me down! I worked as fast as I could, but finally had to pack up to avoid getting wet. I made some quick placeholders for the clouds, memorized all the shapes and colors, and brought it back to finish in the studio. 

Here is how it went from unfinished to finished... I think the final decisions are always interesting...

UNFINISHED

FINISHED PIECE

What I did:

1) Built out the sky according to my painted notes. 

2) Adjusted shapes, value, and color on the large masses.  

3) Pulled the elements together, paying attention to edges and transition colors.

4) Popped the highlights (always the last thing I do). 

In the final stages, I am thinking about how to make the painting flow cohesively. Some of the questions I ask myself include: Does the light agree everywhere in the scene? Does the perspective work? Does the distance recede? Does the foreground come forward? Where does the viewer's eye go? These are very helpful for determining when I am DONE! :)

2023 SPRING WORKSHOPS (click HERE for info and registration):
April 14-15 - Contemporary Austin Art School, Austin, TX (Wait list only)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA

Waiting

Waiting, 6 x 8, oil on panel, L. Daniel © 2023

Click to purchase - $150 + $15 s/h

Oh, how I love these birds! They stalk the marsh and beach, just waiting for breakfast. Standing ever so still, they "hide" in plain sight... but when a morsel of food swims by, they are quick to pounce. Mesmerizing!

2023 SPRING WORKSHOPS (click HERE for info and registration):
April 14-15 - Contemporary Austin Art School, Austin, TX (Wait list only)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA

Brogen's at the Pier - Fix It Friday!

Brogen's at the Pier, 10 x 8, oil on panel, L. Daniel © 2023

NFS

Brogen's is a favorite bar and hamburger joint in the village on St. Simons Island, GA. The food is delish and it's right on the water. When I painted it en plein air, the waitress brought out some onion rings for a little work break. How nice was that? 

Well, the painting had a few problems that needed addressing!:) Here is the "before" image...

BEFORE

AFTER

Problem - Alley way lacked shadow and failed to recede. The scene was flat and one-dimensional. 
Fix - Darkened the value on the pink wall leading into the alley.
Fix - Popped highlights on front of Brogen's decks and awnings. 

Problem - Palm tree, ground, and building were blending together. (More flatness!)
Fix - Changed the color of the palm's trunk to differentiate it from the building.
Fix - Lightened ground plane in front of door.

OBSERVATIONS

I had a hard time seeing the true value of that pink wall when I was in the field. It was in shadow, but I painted it like it was in the light. Even very light colors appear dark when they are in shadow. The only way to observe the value correctly is by squinting way down. And I will admit it, I kind of loved the idea of that funky pink wall. But in the end, I had to mute it out altogether! It just wasn't working! 

Fun side note: My niece is having one of her wedding events at Brogen's in the fall, so this piece will go to the sweet newlyweds! 

2023 SPRING WORKSHOPS (click HERE and join me):
April 14-15 - The Contemporary Austin Art School in Austin, TX (Full with wait list)
May 4-6 - Anderson Fine Art Gallery in St. Simons Island, GA